吳秉聖
Ping-Sheng Wu
關於 / About
吳秉聖，藝術家，創作涵蓋聲音藝術、音像演出與媒體裝置，國立清華大學專任講師。英國 Bath Spa University 創意聲音與媒體技術碩士。
2024 年共同創立媒體藝術品牌 SYNZR，音像作品《感覺的邊界》獲選同年臺中國家歌劇院新藝計畫，於 5 月世界首演；穹頂作品《時間層理》於 2026 年 3 月於邁阿密 FilmGate Interactive 與蒙特婁 SAT Fest 進行北美巡演；音像作品《演算法和諧》（與陳乂、王仲堃共同創作）於 2024 德國 Kunstfest Weimar 藝術節首演；聲音裝置《投聲計畫》於 2020 台灣雙年展展出（臺中國立臺灣美術館）。
2015 年所屬團體獲第六屆數位藝術表演獎首獎，並三度入選臺北數位藝術獎（2014、2015、2016）。2016–2022 年擔任媒體藝術公司 noiseKitchen 音樂統籌；2019 年經徵選赴紐約 Triangle Arts Association 駐村，並獲臺灣聲響實驗室徵選參與巴黎 IRCAM ManiFeste 藝術家交流計劃，隨 YiLab 至美國紐約州 Troy EMPAC 交流；2020 年入選 C-LAB CREATORS 創研計畫，以波場合成系統進行創作研究。
Ping-Sheng Wu is an artist working across sound art, audiovisual performances, and media installations. He holds an MA in Creative Sound and Media Technology from Bath Spa University, and is a Lecturer at the Interdisciplinary Program of Technology and Art, National Tsing Hua University.
In 2024 he co-founded SYNZR, a media art brand whose debut audiovisual work The Boundary of Sense was selected for the National Taichung Theater's 2024 NTT Arts NOVA program, world premiered in May 2024. His dome work Temporal Strata toured North America in March 2026 with showings at FilmGate Interactive (Miami) and SAT Fest (Montréal). Algorithmic Harmony, co-created with Chen Yi and Wang Chung-Kun, premiered at Kunstfest Weimar 2024. His sound installation Anteriusound was exhibited at the 2020 Taiwan Biennial (NTMoFA, Taichung).
In 2015 his collective received First Prize at the 6th Digital Art Performance Award, with selections at the Taipei Digital Art Awards in 2014, 2015, and 2016. From 2016 to 2022 he was music supervisor at the media art company noiseKitchen. He was selected for a residency at Triangle Arts Association (New York) in 2019, and by Taiwan Sound Lab for the IRCAM ManiFeste Artist Exchange Program (Paris). He also joined YiLab on a residency at EMPAC (Troy, NY). In 2020 he was selected for the C-LAB CREATORS program and conducted creative research on Wave Field Synthesis.
專長 / Expertise
教學 / Teaching
於國立清華大學藝術學院學士班開設課程，以「導讀 → 工作坊 → 討論 → 產出」四階段循環為教學方法，強調概念先於技術、理論與實作整合，並重視學生的自我創作與批判反思。
At the College of Arts, National Tsing Hua University, his teaching follows a four-stage cycle — lecture → workshop → discussion → production — emphasizing conceptual grounding before technique, theory-practice integration, and student self-authorship.
系列計畫 / Series
Auditory Aesthetics（A+A／AA）聽覺美學系列：於國立清華大學主持的聲音與科技系列計畫，透過講座、展演與工作坊探討聲音工程、演算法作曲、空間音訊、沉浸式環境、深度學習與 AI 音訊處理。
Auditory Aesthetics (AA) is a sound-and-technology series at National Tsing Hua University, presenting lectures, performances, and workshops across audio engineering, algorithmic composition, spatial audio, immersive environments, deep learning, and AI audio processing.